Publications
Breaking the Metronome: Community and Song in Maryse Condé’s Moi, Tituba sorcière…Noire de Salem by Holly Woodson (PDF)
Refereed journal articles and book chapters:
“Renée and the Myth of Phaedra in La Curée,” Excavatio: Emile Zola and Naturalism, 18 (2003): 143-156.
“Breaking the Metronome: Community and Song in Maryse Condé’s Moi, Tituba, sorcière…noire de Salem,” in Francophone Post-Colonial Cultures, edited by Kamal Salhi (Totowa, N.J.: Lexington Academic Books, 2003), 153–165.
“Venus and the Modern Mother in Zola’s Nana,” Excavatio: Emile Zola and Naturalism, 15 (2001): 74-91.
“‘La misère en robe de soie’: Women’s Places and Private Spaces in Au Bonheur des Dames,” Excavatio: Emile Zola and Naturalism, 13 (2000): 59–68.
Book reviews
Rosemary A. Peters, Stealing Things: Theft and the Author in Nineteenth-Century France. Lanham, MD: The Rowman & Littlefield Publishing Group, Inc, 2013. Pp. 265. ISBN: 978-0-7391-8004-4, Nineteenth-Century French Studies, forthcoming 2014.
Works in Progress
Manuscripts in Preparation
Diana in Nineteenth-Century France
Rebel Mothers: Medea in the French “Age of Revolutions.”
Articles Submitted to or Prepared for Submission to Refereed Journals
“Diana-Venus: The Impossible Transition in Son Excellence Eugène Rougon,” journal article, Dix-Neuf.
“Rebel Mothers: Medea in the French ‘Age of Revolutions,’” journal article, Genres.
“The Religion of Language in Linda Lê’s Slander,” journal article, Christianity and Literature.